공통영어2 천재 강상구 4과 본문 빈칸 변형

Lesson 4 Cherishing the Past

Still Standing

We are surrounded by mass-produced items, which are manufactured in quick and cheap ways that ensure maximum ____.

Handcrafting things without relying on machines is often ____ and slow.

That is why more and more craft skills are going ____.

Despite all this, there are artisans around the world who make things in the ____ ways with their own bare hands.

Here are three countries that show how traditional crafts are ____ standing.




Tunisia

The women in the town of Sejnane in Tunisia, like ____ Saidani and her daughter, Rim, still follow the methods of making pottery by hand that date back over 3,000 years.

They collect ____ and spread it out to dry for about five days under the sun.

They add broken pieces of ____ to make the clay stronger.

The mixture is molded ____ a shape that comes to mind on the spot.

Then, the piece is coated with ____ clay or red earth.

Next, it is ____ over an open flame.

Then, it is finally ____ to decorate it.

All the colors come ____ nature, and the designs give the pottery its unique look.

In the past, the women of ____ mostly made practical items like bowls, dishes, and cups.

Unfortunately, it is much harder to sell ____ nowadays, since mass-produced plastic and metal products are cheaper.

This made the women think more creatively, and now they design original ____ like vases and dolls.

The work is tough, and the craft has been ____ by young people.

However, Rim says, “It has made me a more patient ____.

Everything about it needs to be ____ step by step.

Everything is in ____ motion.

This is actually a ____ lesson that I really cherish.”




India

____, a village in India, is home to the traditional craft of mirror making.

Here, the ____ are made entirely of metal.

With typical glass mirrors, light has to travel through the glass in order to get ____ on the back of the glass coated with metal.

In contrast, the Aranmula mirror reflects light on the surface of the metal and shows a ____ accurate reflection.

The craft has been passed ____ in Aranmula for around 500 years.

Sudhammal J learned the trade secrets from her father when she was little, including the formula for the perfect ratio of tin and copper to ____ the mirror’s reflective surface.

The ____ is incredibly laborious and is done entirely by hand.

Sudhammal works with her son, ____, often into the night.

They first make a clay mold and then prepare ____ of tin and copper.

With the right ____ of the metal pieces filling the inside, the clay mold sits in a 1,200-degree fire for about an hour.

After the metal pieces melt, they cool down the ____, break it, and take the mirror out of it.

It ____ reflective just yet.

It needs to go through several rounds of ____.

The final step is to fix the mirror inside the metal ____.

Niranjan ____ home to the craft after getting a business degree.

“My grandfather’s ____ led me to help my mother.

Through that, my interest and passion ____, too.

The new generation seems uninterested in the ____ mostly because of the harsh working conditions, unbearable heat, and long hours of tiring work.

However, we won’t sell our craft to machines because that would end up ____ our collective identity.”


Korea

In Jeonju, Korea, Kim Dong-sik has been making hapjukseons, traditional ____ fans that used to be reserved for royal families.

He uses a 350-year-old technique that has been passed ____ through his family.

Although the fan looks simple, the process of ____ it involves about 150 manual steps using natural materials.

It takes four to five days to make ____ one fan.

It starts with preparing ____.

He makes it ____ by boiling it and leaves it out to dry for up to two weeks.

Then, he splits the bamboo into strips and thins them down again and again until ____ can see through them.

He ____ glues two strips into one rib and binds the ribs tightly.

This makes the ____ incredibly strong.

Now that the framework is ready, he spreads the fan ribs out with glue applied on ____.

Then, he carefully attaches paper to the ____, folding it for each rib.

Afterward, the fan ____ be left plain or decorated by a painter.

Kim says, “To make a ____, you need a lot of patience and determination.

In the old ____, all the fans were made this way.

I stand by this so that the perfect traditional skills can be taught and carried ____ the future.”


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